[Rex Reed] complains about the gorgeous, subdued cinematography of Bruno Delbonnel, who previously worked with the notoriously muted Jean-Pierre Jeunet on visually uninspired films like Amélie and A Very Long Engagement, and is the second untalented cinematographer in a row David Yates has chosen to work alongside—the first being Slawomir Idziak, a Polish hack so dumb his director, Krzysztof Kieslowski, had to name his films after the color of the desired palette lest Idziak murk them up. Scott Eric Kaufman

31.07.2009 • Permalink