The Guardian’s Jonathan Jones is not impressed by the Tate’s rehanging:
In fact, the social history is larded on so much, with so many boxes to tick, that it all becomes too much to take in and you have no choice but to enjoy the art for its own sake. Is that big painting of a battle by Philip James de Loutherbourg nationalist, or anti-war, or what? I dunno, but the clouds lit up by cannonfire look great.